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Dan Ouellette Archive
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Diana Krall, Glad Rag Doll…
Cast off your preconceived notions that Diana Krall is still a straight-a… more »
Jessica Lurie Ensemble, Megap…
Defying genre borders, multi-instrumentalist/vocalist Jessica Lurie satis… more »
Joe Jackson, The Duke…
When pianist, vocalist and band leader Joe Jackson contemplated undertaki… more »
Interview: Béla Fleck an…
At its heart, the success of Across the Imaginary Divide comes from the s… more »
Ravi Coltrane, Spirit Fiction…
It’s been a little more than two decades since saxophonist Ravi Col… more »
Fly Trio, Year of the Snake…
When Fly, a noteworthy piano-less trio with an unremarkable name, made it… more »
Guillermo Klein, Carrera…
In the 20 years that Argentine composer/arranger/keyboardist Guillermo Kl… more »
Interview: Joel Harrison
In the liner notes to his impressive new album, Search, New York-based gu… more »
Kat Edmonson, Way Down Low…
With her sophomore album, Way Down Low, captivating jazz chanteuse Kat Ed… more »
Bonnie Raitt, Slipstream…
Over the course of the 40-plus years of her career, Bonnie Raitt has neve… more »
Interview: Jenny Scheinman an…
Fresh from a slot performing songs at Relix magazine, violinist, songwrit… more »
Jenny Scheinman, Mischief …
Rebels all, Jenny Scheinman’s elite quartet of improvisers negotiat… more »
Tim Berne, Snakeoil
While alto saxophonist Tim Berne has spent a hefty chunk of his alt-jazz … more »
Paolo Fresu & Omar Sosa,…
Cuba-born, Barcelona-based pianist/keyboardist Omar Sosa and Italian trum… more »
Diana Krall, Glad Rag Doll (D…
Cast off your preconceived notions that Diana Krall is still a straight-a… more »
1-15 of 15
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Kicking at the Boundaries of Metal
By Jon Wiederhorn, eMusic Contributor
As they age, extreme metal merchants often inject various non-metallic styles into their songs in order to hasten their musical growth. Sometimes, as with Alcest and Jesu, they develop to the point where their original… more »