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Justin Davidson

eMusic Contributor

Articles: 162

Justin Davidson has been the classical music and architecture critic at New York magazine since 2007. Before that, he was classical music critic at Newsday, where he also wrote about architecture and won a Pulitzer Prize for criticism in 2002. A native of Rome, Davidson graduated from Harvard and later earned a doctoral degree in music composition at Columbia University. He has contributed to the New Yorker, the New York Times, W., Travel and Leisure, the Los Angeles Times, Slate, and Salon. He has taught writing at the School of Visual Arts, Syracuse University, and the NEA’s annual Arts Journalism Institutes.

After spending a year on a music fellowship in Paris, Davidson moved to New York City to pursue a doctoral degree in music composition at Columbia University, where he also was instructor and later adjunct professor of music. His compositions, which have been performed in the US, Italy, China and Eastern Europe, have won him grants and awards from the American Academy/ Institute of Arts and Letters, the Mellon Foundation, Meet the Composer, Columbia University and the Fondation des Etats-unis in Paris.

He joined the staff of Newsday in 1996. In 2003, he added a second beat to his brief, becoming the paper’s first architecture critic.

Justin Davidson Archive

25-48 of 162

Borodin Quartet, Shostakovich…

Shostakovich's 15 harrowing, confessional and bleakly beautiful strin… more »

Sir Simon Rattle, Gershwin: P…

It took a long time for George Gershwin's only opera to maunder its w… more »

Richard Hickox, BRITTEN: Deat…

In 1971, Benjamin Britten was a famous, 62-year-old composer whose heart … more »

Carl Nielsen, Nielsen, C.: Sy…

Germans invented the profession of music historian, so it's not surpr… more »

Louise Bessette, Messiaen: Vi…

Olivier Messiaen's was a muscular, physical faith, expressed in revel… more »

Houston Symphony Chamber Play…

In 1940, Olivier Messiaen was serving as a medical orderly in the French … more »

Karl Böhm, Chor Der Wien…

Where would opera be without ghosts? The genre began with the story of Or… more »

Bela Bartok, BARTOK: Concerto…

The traditional 19th century concerto sets off a soloist against the grea… more »

James Maddalena, FOSS: Elegy …

People always had trouble deciding how seriously to take Lukas Foss, or w… more »

Andres Segovia, The Genius Of…

Unamplified guitars don't make a lot of noise, and the player is pret… more »

Janos Starker, Legendary Peri…

The development of Western music has been told by pianists, fiddlers and … more »

Olivier Messiaen, MESSIAEN: T…

Olivier Messiaen's interests ranged widely, but he did not dabble. He… more »

Erik Satie, SATIE: Piano Musi…

Classical music offers a range of party options: Vivaldi is a brunch stan… more »

Wolfgang Amadeus Mozart, MOZA…

Here's a vivid scene: at a corner table in a tavern in Prague in 1787… more »

Wolfgang Amadeus Mozart, MOZA…

It's a fact of corporate life that the boss 'administrative assis… more »

Wolfgang Amadeus Mozart, MOZA…

Opera lay at the heart of Mozart's inspiration. He was moved by words… more »

Academy Of St. Martin-In-The-…

The concerto is by tradition a showoff piece, and Mozart, who was terrify… more »

The Prades Festival Orchestra…

Classical concertos are often described as pieces about contest and confl… more »

Wolfgang Amadeus Mozart, MOZA…

Mozart handled virtually every genre known to music in 18th century Europ… more »

Philharmonia Hungarian, Mozar…

By the time he wrote his final pair of symphonies, Mozart had an intense … more »

Richard Strauss, MOZART: Requ…

The layers of lore that encrust the ravishing unfinished Requiem Mass kee… more »

Wolfgang Amadeus Mozart, MOZA…

While posterity thinks of him as a genius, Mozart thought of himself as a… more »

Tomo Iwakura, Bach:Complete L…

The lute was an archaic instrument in Bach's day, but that didn't… more »

Oregon Repertory Singers, Arv…

Harrison lived in rural California, and Pärt comes from formerly Sov… more »

25-48 of 162

eMusic Radio

5

Kicking at the Boundaries of Metal

By Jon Wiederhorn, eMusic Contributor

As they age, extreme metal merchants often inject various non-metallic styles into their songs in order to hasten their musical growth. Sometimes, as with Alcest and Jesu, they develop to the point where their original… more »

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