Marissa G. Muller has written about music professionally since she was 19, just don’t ask about her age now. Her work has appeared in Pitchfork, EYE WEEKLY, Independent Weekly, Crawdaddy! Magazine, and Cokemachineglow, among others. She lives in Chicago and appreciates its R&B and garage rock scenes equally.
Few cities have a musical history as rich or as varied as Chicago’s… more »
In many ways, Woods are as distant from any developed scene as their rura… more »
Castlemania is not a bedtime record. You can deduce that much from the mo… more »
For Fans Of: Kim Gordon, Lydia Lunch, early Cat Power, Zola Jesus EMA… more »
Despite his neo-soul aesthetic, Buddy Holly glasses and on-stage jam with… more »
The epicenter of rock 'n' roll in the '60s, San Francisco has… more »
Though their frontman O.J. San Felipe hails from San Francisco, lo-fi out… more »
Peter Bjorn and John don't need to whistle to move you. Their last ef… more »
Porcelain Raft's Mauro Remiddi is a nomad: Born in Rome, the guitar a… more »
Love is a murder mystery for La Sera's Katy Goodman. Piecing together… more »
Nostalgia is a journey, not a destination for Toro Y Moi's Chaz Bundi… more »
On their debut, King Night, the New York witch house outfit Salem rummage… more »
How to Dress Well's Tom Krell may share Neon Indian and Washed Out… more »
A veteran of New York's garage rock scene, Frankie Rose graduates fro… more »
As they age, extreme metal merchants often inject various non-metallic styles into their songs in order to hasten their musical growth. Sometimes, as with Alcest and Jesu, they develop to the point where their original… more »
