Village Voice, Rolling Stone, the New York Times, Musician, Blender, Tracks, AARP: The Magazine and countless other publications both living and archived. In a separate but equal universe, he co-authored The Phish Book with the fab Burlington quartet. He began the current millennium as Sonicnet.com's world music editor and continues to freelance from polyethnic Brooklyn, New York, where he resides in domestic tranquility with his wife and two daughters." />
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Richard Gehr

eMusic Contributor

Articles: 206

Richard Gehr has been writing about international music — and many other things — for more than two decades. After moving to Los Angeles from Portland, OR, via Baltimore, he was the Los Angeles Reader‘s arts editor during the early ’80s. He relocated to New York to become an editor at Spin, and wrote the magazine’s “World Beat” column for a few years. He has also written for the Village Voice, Rolling Stone, the New York Times, Musician, Blender, Tracks, AARP: The Magazine and countless other publications both living and archived. In a separate but equal universe, he co-authored The Phish Book with the fab Burlington quartet. He began the current millennium as Sonicnet.com’s world music editor and continues to freelance from polyethnic Brooklyn, New York, where he resides in domestic tranquility with his wife and two daughters.

Richard Gehr Archive

1-24 of 206

Mark Gergis, I Remember Syria…

The final track on 2004′s I Remember Syria — producer Mark Ge… more »

Discover: Vampisoul

For Vampisoul founder Iñigo Pastor, it all began as a fanzine that… more »

Red Baraat: An All-American I…

Describing New York’s Red Baraat dhol ‘n’ brass band is… more »

Son Volt, Honky Tonk

“There’s a reckless side of tradition, a push of the tide hav… more »

Helado Negro, Invisible Life…

According to Invisible Life‘s credits, Helado Negro, the stage name… more »

The Relatives, The Electric W…

Gospel singer Rev. Gean West and his brother Rev. Tommie formed The Relat… more »

Richard Thompson, Electric…

Nearly everyone is found guilty in a Richard Thompson song. Take the horn… more »

A 10-Point Plan For Getting I…

In 2012, the Zappa Family Trust reissued Frank Zappa’s original 58-… more »

Vusi Mahlasela, Sing to the P…

Pretoria-born Vusi Mahlasela’s ninth release marks the 20th anniver… more »

Tim Maia’s Superbly Idi…

Although he died in 1998 at the age of 55 after nearly collapsing onstage… more »

Buddy Miller and Jim Lauderda…

Grammy-winning singer-songwriter Jim Lauderdale’s meet-up with his … more »

Jah Wobble & Keith Leven…

During the couple dozen years since they played together as part of Publi… more »

Moreno and L’Orch First…

Husky-throated baritone singer Moreno (born Batambo Wendo Morris in 1955)… more »

Missy Mazzoli, Song from the …

Young Brooklyn composer Missy Mazzoli’s exhilarating and ultimately… more »

Who Are…Prince Rama

The Larson sisters met third Prince Rama co-founder Michael Collins while… more »

Matthew Friedberger, Matricid…

Fiery Furnaces keyboardist Matthew Friedberger erects a shaky self-reflex… more »

Kaki King, Glow

On her sixth album, guitar-thwacking virtuoso Kaki King loops back to bas… more »

Janka Nabay: The Rebirth of B…

Sporting fingerless black leather gloves, a sleeveless festival T-shirt, … more »

Hijos de Aguëyb…

Creating a familial ruckus since the early 2000s, the eight-piece Hijos d… more »

Interview: Debo Band

With its rolling grooves, heavy arrangements, funky horn sections, and so… more »

Who is Arif Lohar? And Why Do…

Diminutive, rotund Arif Lohar looms large in the global pantheon of unlik… more »

Staff Benda Bilili, Bouger Le…

The Congolese octet Staff Benda Bilili has five polio-disabled street mus… more »

Interview: Antibalas

When Antibalas performed in Brooklyn’s Williamsburg Park recently, … more »

The Very Best, MTMTMK…

With the departure of Radioclit’s Etienne Tron, The Very Best now c… more »

1-24 of 206

eMusic Radio

5

Kicking at the Boundaries of Metal

By Jon Wiederhorn, eMusic Contributor

As they age, extreme metal merchants often inject various non-metallic styles into their songs in order to hasten their musical growth. Sometimes, as with Alcest and Jesu, they develop to the point where their original… more »

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