Village Voice, Rolling Stone, the New York Times, Musician, Blender, Tracks, AARP: The Magazine and countless other publications both living and archived. In a separate but equal universe, he co-authored The Phish Book with the fab Burlington quartet. He began the current millennium as Sonicnet.com's world music editor and continues to freelance from polyethnic Brooklyn, New York, where he resides in domestic tranquility with his wife and two daughters." />
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Richard Gehr

eMusic Contributor

Articles: 226

Richard Gehr has been writing about international music — and many other things — for more than two decades. After moving to Los Angeles from Portland, OR, via Baltimore, he was the Los Angeles Reader‘s arts editor during the early ’80s. He relocated to New York to become an editor at Spin, and wrote the magazine’s “World Beat” column for a few years. He has also written for the Village Voice, Rolling Stone, the New York Times, Musician, Blender, Tracks, AARP: The Magazine and countless other publications both living and archived. In a separate but equal universe, he co-authored The Phish Book with the fab Burlington quartet. He began the current millennium as Sonicnet.com’s world music editor and continues to freelance from polyethnic Brooklyn, New York, where he resides in domestic tranquility with his wife and two daughters.

Richard Gehr Archive

25-48 of 226

Who Are…Prince Rama

The Larson sisters met third Prince Rama co-founder Michael Collins while… more »

Matthew Friedberger, Matricid…

Fiery Furnaces keyboardist Matthew Friedberger erects a shaky self-reflex… more »

Kaki King, Glow

On her sixth album, guitar-thwacking virtuoso Kaki King loops back to bas… more »

Janka Nabay: The Rebirth of B…

Sporting fingerless black leather gloves, a sleeveless festival T-shirt, … more »

Hijos de Aguëyb…

Creating a familial ruckus since the early 2000s, the eight-piece Hijos d… more »

Interview: Debo Band

With its rolling grooves, heavy arrangements, funky horn sections, and so… more »

Who is Arif Lohar? And Why Do…

Diminutive, rotund Arif Lohar looms large in the global pantheon of unlik… more »

Staff Benda Bilili, Bouger Le…

The Congolese octet Staff Benda Bilili has five polio-disabled street mus… more »

Interview: Antibalas

When Antibalas performed in Brooklyn’s Williamsburg Park recently, … more »

The Very Best, MTMTMK…

With the departure of Radioclit’s Etienne Tron, The Very Best now c… more »

Ondatrópica, Ond…

English DJ/producer Will Holland (aka Quantic) relocated to Colombia in 2… more »

Ba Cissoko, Nimissa

On his fourth album, Guinean kora player Ba Cissoko doesn’t drag hi… more »

The Sweltering Sound of Chich…

Two Frenchmen, two Yankees, a Mexican and a Venezuelan walk into a bar… more »

The Sublime Sound of Syria

When I saw Sabah Fakhri perform in New York City’s Town Hall in 199… more »

Six Degrees of Amadou & M…

It used to be easier to pretend that an album was its own perfectly self-… more »

Bai Janha: The Afro-Rock Unde…

The Republic of Gambia — mainland Africa’s smallest nation … more »

Bola, Volume 7

Ghanaian kologo player Bola Anafo has a single mighty sound he sticks to … more »

Goblin, Suspiria

A creepy hybrid of up-to-the-’70s electric prog rocking and acousti… more »

Richard Thompson, Electric (D…

Nearly everyone is found guilty in a Richard Thompson song. Take the horn… more »

Hugh Masekela, Jabulani…

Known for wedding the musical traditions of his native South Africato oth… more »

Iran and the Mournful Pop Nar…

The music of Iran has never made much of an impact on the West. It certai… more »

Ladysmith Black Mambazo, Lady…

Wow. Ladysmith Black Mambazo, the venerable South African male a cappella… more »

¡Ay Mami! Bring …

Anyone into Caribbean and/or Latin music is almost certainly familiar wit… more »

DJ /rupture: A Post-Digital G…

No disc jockey transports me back more reliably to the free-form radio tr… more »

25-48 of 226

eMusic Radio

6

Kicking at the Boundaries of Metal

By Jon Wiederhorn, eMusic Contributor

As they age, extreme metal merchants often inject various non-metallic styles into their songs in order to hasten their musical growth. Sometimes, as with Alcest and Jesu, they develop to the point where their original… more »

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