McSweeney's Field Recordings Volume 1Close Calls and Dangerous Propositions

McSweeney's

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Summary

McSweeney's Field Recordings Volume 1

By: McSweeney's

Narrarated by: Keith Pille, Jessica Anthony, Jack Pendarvis, Claire Light, Jonathan Ames

Hand-picked from the swelling orchards of McSweeney's Quarterly Concern comes this collection of readings created specifically for eMusic. The first installment of McSweeney's Notes from the Field comes to you in the form of Jonathan Ames, Jessica Anthony, Jack Pendarvis, Claire Light and Keith Pille recounting perilous sagas of phony detectives, a female bullfighter, poisonous snakes, murder in space, and a freshman COBRA recruit

Our methodology for this audiobook's production was a dangerous prospect in itself. Wrapped in a pillowy swallow's nest of bubblewrap, paper bags, and our saliva — a natural binding agent — recorders were shipped to writers across the country. We held our breath and hoped that the good shepherds of the United States Postal Service would deliver our bundles safely. With the recorders successfully dispersed, we placed our eggs in the baskets of writers who terrified us with tales of varying technical proficiency. As it turns out, each of them truly delivered a performance for the ages. Some real tour de force stuff. Plus, they added some surprising twists.

Jessica Anthony, The Death of Mustango Salvaje
Recorded in her husband's newly completed home studio in Portland, Maine, Jessica Anthony presents the story of Mustango Salvaje, the nimblest bullfighter ever born, and a woman to boot. Jonathan Wyman, Jessica's sound engineer husband, provides expertly timed radio-drama style sound effects.

Keith Pille, Journal of a New COBRA Recruit
The only piece from the McSweeney's website, Keith Pille's journal traces the first days of a recent high school graduate enlisted to serve the sworn enemies of the GI Joes. Keith recorded his piece on the Washington Avenue Bridge, overlooking the Mississippi River in Minneapolis, Minnesota. He adds: "Actually, it's just downstream from where the 35 W bridge went down, and I was looking down at some park space that the National Transportation Safety Board commandeered to reconstruct the bridge superstructure."

Claire Light, Pigs in Space
Claire Light reports from her Oakland, California home, bringing us the story of two space travelers who have been charged with raising pigs and harvesting fuel from their porcine charges' waste. Equal parts sci-fi thriller and dark comedy, "Pigs in Space" introduces Porkbella, the sinister herd mother, and explores the relationship between two people cohabitating in an orbital pig farm.

Jonathan Ames, Bored to Death
Jonathan Ames explains how ennui and a fake Craigslist posting land his narrator neck-deep in a treacherous search for a girl's missing sister. We chased the author around the country trying to secure this story, and finally we cornered him in his New York apartment, where we forcibly extracted this remarkable piece of detective noir from Jonathan.

Jack Pendarvis, The Big Dud
Unfortunately for Jack, who makes it a policy to never cuss during a reading, "The Big Dud" is replete with colorful four-letter words. Jack graciously agreed to bend his rule for us, and we felt pangs of guilt each time he stopped his reading at Square Books in Oxford, Mississippi, to allow children to wander through before continuing with his barrage of f-bombs. Oh, and yes, those are indeed the dulcet tones of Joey Lauren Adams providing the voice of Farrah.

Sample Audiobook
Audiobook Information
EDITOR'S PICK // EXCLUSIVE
  • Edition: Unabridged
  • Author: McSweeney's (See All Books)
  • Date Released: Mar 26, 2008
  • Publisher: McSweeney's
  • Genre: Suspense, Science Fiction, Mystery & Crime, Short Stories, Adventure, Fiction & Literature

Total File Size: 93 MB (4 files) Total Length: 3 Hours, 14 Minutes

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Maris Kreizman

Audiobooks Editor

03.26.08
McSweeney’s, McSweeney’s Field Recordings Volume 1
2008 | Label: McSweeney's

McSweeney's authors get bloody in this eMusic exclusive.
On a McSweeney's audiobook, it's totally fine if a narrator takes a moment to grab a glass of water or pauses mid-reading to be sure that no children are in the vicinity before he lets loose a torrent of naughty words. These idiosyncrasies lend personality, like the sighs and throat-clears that pepper this excellent collection created specifically for eMusic. Creativity and intimacy rightly outweigh professional polish, the traditional rules of mainstream publishing disregarded with a distinctively McSweeney's attitude. Appropriately enough for an audacious first-time audio foray, danger pervades this collection — gruesome, bloody deaths narrated via adventure, sci-fi and noir tales.

McSweeney's is known for championing emerging literary voices, so it's thrilling to actually hear what these voices sound like. For nearly a decade, the publisher has embraced a scrappy, renegade spirit that has translated into the creation of a highly influential indie publishing empire encompassing an incredible literary journal, books, magazines and DVDs. McSweeney's has come to represent a very specific outsider literary voice — one that's witty, knowingly ironic and, yes, hip. Most important for you, however, is that the five stories that comprise Notes From the Field are excellent, varied and, above all, entertaining.

In "The Death of Mustango Salvaje," Jessica Anthony deftly takes on the persona of a female bullfighting sensation. The beleaguered matadora must decide which are more hazardous to her health: angry 800-kilo bulls, or the exploitative people around her. Claire Light's "Pigs in Space" is your typical girl-meets-evil-swine story, set on a spaceship in an alternate universe. Light's narration imbues her piece with an undeniably creepy tone, whereas Jack Pendarvis's mellow drawl belies the hijinks to come in his story, "The Big Dud." Dud is an Alabaman widow whose misguided intellectual aspirations are on par with Ignatius Reilly's, the bumbling hero of A Confederacy of Dunces. Dud's self-described fatal flaw is that he has too many brilliant ideas; his decision to accompany an aspiring P.I. on a stakeout is definitely not one of them.

Interspersed throughout the collection are segments of Keith Pille's hilarious journal of an eager young COBRA recruit who is in training to fight GI Joes. His numbing daily routines in service of Destro are absurd, and also bizarrely touching: while he prepares for battle, an internal war rages between endless enthusiasm and disheartening ennui. He also shouts "COBRAAAAAA!" a lot.

But the collection's high point comes when Jonathan Ames narrates "Bored to Death," his modern day, New York-spanning detective noir. In a performance as commanding as his prose, Ames explains how Craigslist turns out to be the perfect venue for a self-loathing, Raymond Chandler-obsessed recovering addict to offer his amateur investigative services. The tropes familiar to all Hammett fans are well played, and Ames' voice — guttural, beleaguered and resigned — brings an alarming authenticity worthy of 1,000 Bogarts. And you can't get much more dangerous than that.

McSweeney's liner notes for Notes from the Field are available as a .pdf here, or in HTML format here

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