Downtown OwlA Novel

Chuck Klosterman

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Summary

Downtown Owl

By: Chuck Klosterman

Narrarated by: Philip Baker Hall, Lily Rabe, Wiley Wiggins, Keith Nobbs, Chuck Klosterman

New York Times Bestselling Author Chuck Klosterman's First Novel

Somewhere in North Dakota, there is a town called Owl that isn't there. Disco is over, but punk never happened. They don't have cable. They don't really have pop culture, unless you count grain prices and alcoholism. People work hard and then they die. They hate the government and impregnate teenage girls. But that's not nearly as awful as it sounds; in fact, sometimes it's perfect.

Mitch Hrlicka lives in Owl. He plays high school football and worries about his weirdness, or lack thereof. Julia Rabia just moved to Owl. She gets free booze and falls in love with a self-loathing bison farmer who listens to Goats Head Soup. Horace Jones has resided in Owl for seventy-three years. He consumes a lot of coffee, thinks about his dead wife, and understands the truth. They all know each other completely, except that they've never met.

Like a colder, Reagan-era version of The Last Picture Show fused with Friday Night Lights, Chuck Klosterman's Downtown Owl is the unpretentious, darkly comedic story of how it feels to exist in a community where rural mythology and violent reality are pretty much the same thing. Loaded with detail and unified by a (very real) blizzard, it's technically about certain people in a certain place at a certain time … but it's really about a problem. And the problem is this: What does it mean to be a normal person? And there is no answer. But in Downtown Owl what matters more is how you ask the question.

Sample Audiobook
Audiobook Information
New York Times Best Seller
  • Edition: Unabridged
  • Author: Chuck Klosterman (See All Books)
  • Date Released: Sep 24, 2008
  • Publisher: Audioworks
  • Genre: Contemporary Fiction, Fiction & Literature

Total File Size: 241 MB (8 files) Total Length: 8 Hours, 46 Minutes

eMusic Review 0

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Jess Sauer

eMusic Contributor

09.24.08
Chuck Klosterman, Downtown Owl
2008 | Label: Audioworks

Wit and wisdom from our age's reigning pop culture guru
Wit's stock has fallen in recent years, with some readers mistaking it as a refuge for those who fall short of wisdom. This is unfortunate for Chuck Klosterman, who is nothing if not witty, and it might explain why the divide between his followers and detractors is so chasmic. If you fall into the latter camp, Downtown Owl is unlikely to seduce you. Klosterman fans, however, will find much to enjoy in his debut novel.

Set in small-town North Dakota in 1983 and 1984, Owl chronicles the lives of 17-year-old Mitch, 23-year-old Julia and 73-year-old Horace. In Owl, "everybody knows everything about everybody," a fact that impacts each character deeply. High school student Mitch doesn't see what qualifies 1984's Oceania as a dystopia, considering its similarity to 1984's Owl. Upon moving to town, history teacher Julia tries to understand what it means to already be known by people she's never met. There are things that other people don't know about Horace, and he fears his secrets' revelation will make him a laughing stock among his friends.

The characters and dialogue feel authentic for the most part, and the choice of three narrators, though initially disorienting, actually enhances the listening experience quite a bit. Klosterman's approximation of drunkspeak, when slurred by reader Lily Rabe, is accurate enough that you'll wish you could buy the characters a round of Shirley Temples. Wiley Wiggins, best known for his role as freshman Mitch Kramer in Dazed and Confused, is predictably pitch-perfect at imitating high school speech patterns. Philip Baker Hall's reading adds further dimension to the sympathetic complexities of Horace and his curmudgeonly friends.

Owl and its inhabitants are fictional, but the events occurring around them — including the blizzard that opens and closes the novel ¬— are real. Though Klosterman's fidelity to historical fact is meant to lend the plotline an air of credibility, the constant interplay of the true and the false (or, in the parlance of his teenage characters: the T and the F) can sometimes do the opposite. Still, given the author's reflexive tendency toward cultural references, it's to his credit that his frequent allusion only rarely overshadows his story. Despite the innumerable opportunities offered by the era he's chosen, Klosterman never stoops to spoof. His attempts at humor can be overreaching at times, but when he gets it right, the results are stunningly original.

The author's typically outlandish metaphors are in full effect here (example: "rewinding Boy George cassettes was like smoking clove cigarettes in an oxygen tent"), and his characters use them frequently. As a consequence, otherwise less-articulate or less-funny characters occasionally lapse into common voice that resembles Klosterman's own. There are real concerns at the heart of this book, though, and if the author sometimes uses his characters as mouthpieces for his own riffs on the human condition, it's compensated for by the fact that these ruminations lead to the book's best examples of — yes, that's right — wisdom.

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What a story!

Ragamuffin74

Klosterman has crafted a narrative that pulled me in with every new character's idiosyncrasy and quirk. He vividly paints a portrait of (very) small town America that is both endearing and sad. The story builds to an edge-of-your-seat climax that left me disappointed that it had to come to an end. Klosterman is a master at writing clever and witty dialogue, and develops characters that are at once believable and charming, yet deeply faceted enough that draws the reader in, wanting to know more about the story's players. I loved every minute (um, page?) of this book.