Eating the Dinosaur

Chuck Klosterman

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Summary

Eating the Dinosaur

By: Chuck Klosterman

Narrarated by: Errol Morris, Keith Nobbs, Emily Tremaine, Ira Glass, Chuck Klosterman, Travis Tonn

A Book of All-New Pop Culture Pieces by Chuck Klosterman

Chuck Klosterman has chronicled rock music, film, and sports for almost fifteen years. He's covered extreme metal, extreme nostalgia, disposable art, disposable heroes, life on the road, life through the television, urban uncertainty and small-town weirdness. Through a variety of mediums and with a multitude of motives, he's written about everything he can think of (and a lot that he's forgotten). The world keeps accelerating, but the pop ideas keep coming.

In Eating the Dinosaur, Klosterman is more entertaining and incisive than ever. Whether he's dissecting the boredom of voyeurism, the reason why music fan's inevitably hate their favorite band's latest album, or why we love watching can't-miss superstars fail spectacularly, Klosterman remains obsessed with the relationship between expectation, reality, and living history. It's amateur anthropology for the present tense, and sometimes it's incredibly funny.

Q: What is this book about?

A: Well, that's difficult to say. I haven't read it yet – I've just clicked on it and casually glanced at this webpage. There clearly isn't a plot. I've heard there's a lot of stuff about time travel in this book, and quite a bit about violence and Garth Brooks and why Germans don't laugh when they're inside grocery stores. Ralph Nader and Ralph Sampson play significant roles. I think there are several pages about Rear Window and football and Mad Men and why Rivers Cuomo prefers having sex with Asian women. Supposedly there's a chapter outlining all the things the Unabomber was right about, but perhaps I'm misinformed.

Q: Is there a larger theme?

A: Oh, something about reality. "What is reality," maybe? No, that's not it. Not exactly. I get the sense that most of the core questions dwell on the way media perception constructs a fake reality that ends up becoming more meaningful than whatever actually happened.

Q: Should I read this book?

A: Probably. Do you see a clear relationship between the Branch Davidian disaster and the recording of Nirvana's In Utero? Does Barack Obama make you want to drink Pepsi? Does ABBA remind you of AC/DC? If so, you probably don't need to read this book. You probably wrote this book. But I suspect everybody else will totally love it, except for the ones who absolutely hate it.

Sample Audiobook
Audiobook Information
EDITOR'S PICK // New York Times Best Seller
  • Edition: Unabridged
  • Author: Chuck Klosterman (See All Books)
  • Date Released: Oct 20, 2009
  • Publisher: Simon & Schuster Audio
  • Genre: Essays, Music & Entertainment, Humor Nonfiction, Social Science

Total File Size: 183 MB (6 files) Total Length: 6 Hours, 40 Minutes

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Alice Gregory

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Alice Gregory is a Brooklyn-based freelancer. She's written for a variety of publications including New York, NPR, Details, and The New York Observer.

10.20.09
Chuck Klosterman, Eating the Dinosaur
2009 | Label: Simon & Schuster Audio

More appealingly idle musings from the Gen-X Andy Rooney
Chuck Klosterman's Eating the Dinosaur is the newest installment in what has become a 21st-century genre: casual, applied anthropology. Klosterman is a generalist with the keen ability to provide accessible examples for complicated concepts. In the past, he has written about almost every conceivable element of our modern culture, from music to film to sports, and he approaches this newest work with his typical geeky humor and zeal for explaining the questions that tease and taunt our daily existence.

Each essay in the collection focuses on one particular illustration of "living history." Klosterman compares Nirvana's Kurt Cobain to cult leader David Koresh, defends Ted Kaczynski's Unabomber Manifesto as something worth reading and reflects upon why football is perhaps the last of mass American entertainments. He provides treatments on the ethics of time travel and the intolerability of sitcom laugh tracks. Pop icons like Britney Spears, Garth Brooks, Ralph Sampson and Werner Herzog all make appearances.

Klosterman's distinctive content — a blending of high-concept with mass-market — matches his post-modern style. He addresses the reader directly, maintains a self-deprecating referentiality, and even numbers his own paragraphs at times for especially easy access. Though clearly parts of a whole, each of the thirteen essays that subdivide Eating the Dinosaur can easily stand alone. This format is perfect for every kind of listener. Those who prefer more narrative audio experiences can treat it as a continuous book, while those to would rather listen in isolated entertain, revealing the oft-ignored quandaries we all idly mull over.

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Transcendent, Funny and Unsettling

PaulMorel

This book is a brilliant collection of essays that defy the genres into which it is categorized. It is not a memoir, nor is it nonfiction, nor is it geek-lit; it manages to blend music, sports and philosophy in equal parts without giving short shrift to any. It's a shame to see how poorly this book is described on this site; however, an accurate summary of it is very difficult. I might call it Gonzo Journalism about our pop-culture world ... but that conveys the feeling it evokes more than anything about the writing style.