The extraordinary new novel from the acclaimed author of Bad Behavior and Two Girls, Fat and Thin, Veronica is about flesh and spirit, vanity, mortality, and mortal affection. Set mostly in Paris and Manhattan in the desperately glittering 1980s, it has the timeless depth and moral power of a fairy tale. As a teenager on the streets of San Francisco, Alison is discovered by a photographer and swept into the world of fashion-modeling in Paris and Rome. When her career crashes and a love affair ends disastrously, she moves to New York City to build a new life. There she meets Veronica—an older wisecracking eccentric with her own ideas about style, a proofreader who comes to work with a personal “office kit” and a plaque that reads “Still Anal After All These Years.” Improbably, the two women become friends. Their friendship will survive not only Alison’s reentry into the seductive nocturnal realm of fashion, but also Veronica’s terrible descent into the then-uncharted realm of AIDS. The memory of their friendship will continue to haunt Alison years later, when she, too, is aging and ill and is questioning the meaning of what she experienced and who she became during that time. Masterfully layering time and space, thought and sensation, Mary Gaitskill dazzles the reader with psychological insight and a mystical sense of the soul’s hurtling passage through the world. A novel unlike any other, Veronica is a tour de force about the fragility and mystery of human relationships, the failure of love, and love’s abiding power. It shines on every page with depth of feeling and formal beauty. From the Hardcover edition.
eMusic Review 0
A masterful, meditative novel about beauty, youth and regret.
In this masterful, meditative novel, Alison, a onetime model, ruminates on her faded youth and a lost friendship. Now in her 40s and suffering from a shoulder injury and hepatitis C, Alison is eking out a living as an office cleaner. Yet her memories drift back from the bleak present to her “bright past” as a teenager, eager to escape an unhappy childhood home for runways, clubs and cocaine-riddled affairs in Paris and New York. Intertwined with this glamorous setting, however, was another kind of cruelty and degradation, her posing and preening only a few steps removed from prostitution.
It was Veronica, Alison’s older, brasher, decidedly less-beautiful friend from an ad agency who clearly had a better grasp on beauty’s dangers: “Prettiness is always about pleasing someone,” she told Alison before Alison was ready to hear it. But Veronica died of AIDS decades ago and Alison, now older and ailing herself, revisits Veronica’s caustic wisdom with empathy and regret. Gaitskill is a writer of devastating clarity; even her most lyrically worded insights are embedded with sharp, unsentimental spikes of reality, and more often than not, it’s not a pretty picture.
