Buying InThe Secret Dialogue Between What We Buy and Who We Are

Rob Walker

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Summary

Buying In

By: Rob Walker

Narrarated by: Robert Fass

Marketing executives and consumer advocates alike predict a future of brand-proof consumers, armed with technology and a sophisticated understanding of marketing techniques, who can effectively tune out ad campaigns. But as Rob Walker demonstrates, this widely accepted misconception has eclipsed the real changes in the way modern consumers relate to their brands of choice. Combine this with marketers' new ability to blur the line between advertising, entertainment, and public space, and you have dramatically altered the relationship between consumer and consumed.

Copyright © 2008 by Rob Walker. All rights reserved.
Copyright 2008 by BBC Audiobooks America. Recorded by arrangement with Ballantine Books, an imprint of Random House Publishing Group, a division of Random House, Inc. All rights reserved. Copyright exists on all recordings issued by BBC Audiobooks America. Any unauthorized broadcasting, public performance, copying or re-recording of such recordings in any manner whatsoever, will constitute an infringement of such copyright.

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Audiobook Information
  • Edition: Unabridged
  • Author: Rob Walker (See All Books)
  • Date Released: Jun 18, 2009
  • Publisher: AudioGO
  • Genre: Social Science, Business & Economics

Total File Size: 257 MB (8 files) Total Length: 9 Hours, 21 Minutes

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Sam Adams

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Sam Adams writes for the Los Angeles Times, the Philadelphia Inquirer, the Onion A.V. Club, Time Out New York, Time Out Chicago, Cowbell and the Philadelphia Ci...more »

06.18.09
Rob Walker, Buying In
2009 | Label: AudioGO

Walker, the New York Times' "Consumed" columnist, specializes in examining what he calls "murketing": the elusive and sometimes imperceptible art of selling products to people who are convinced they're too savvy for advertising to work on them. In Walker's view, the most effective campaigns are not those that allow consumers to purchase their identity bit by bit so much as those that allow the consumer to project his or her own identity onto a particular product. He markets best who markets least.

Walker's signal example is Hello Kitty, multibillion-dollar, infinitely licensable symbol of nothing in particular. To one person, Hello Kitty might reflect childish innocence, to another pop-culture kitsch, but the Sanrio corporation gets their money either way. The Nike swoosh or the Apple logo are imbued with a cachet as potent as it is nonspecific, allowing consumers to forge their own relationships and take ownership of a brand — for the usual price.

Some of old-school marketing's bad habits have rubbed off on Walker over the years, particularly the penchant for superfluous neologisms — murketing, the Pretty Good Problem, the purple cow — which for some may cross the line from approachability to cutesiness. But Walker's ability to boil inscrutable trade-speak down to plain English makes for consistently pleasurable reading, with plenty of insights along the way.

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