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NWA Novel

Zadie Smith

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Summary

NW

By: Zadie Smith

Narrarated by: Karen Bryson

Somewhere in Northwest London stands Caldwell housing estate, relic of ’70s urban planning. Five identical blocks, deliberately named: Hobbes, Smith, Bentham, Locke, and Russell. If you grew up here, the plan was to get out and get on, to something bigger, better. Thirty years later, ex-Caldwell kids Leah, Natalie, Felix, and Nathan have all made it out, with varying degrees of success – whatever that means. Living only streets apart, they occupy separate worlds and navigate an atomized city where few wish to be their neighbor’s keeper. Then one April afternoon a stranger comes to Leah’s door seeking help, disturbing the peace, and forcing Leah out of her isolation…

From private houses to public parks, at work and at play, in this delicate, devastating novel of encounters, the main streets hide the back alleys, and taking the high road can sometimes lead to a dead end. Zadie Smith’s NW brilliantly depicts the modern urban zone – familiar to city dwellers everywhere – in a tragicomic novel as mercurial as the city itself.

Sample Audiobook
Audiobook Information
EDITOR'S PICK // New York Times Best Seller

Total File Size: 300 MB (9 files) Total Length: 10 Hours, 55 Minutes

eMusic Pick

eMusic Review 0

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Amanda Davidson

eMusic Contributor

11.13.12
A looping, far-reaching novel of voice and identity
2012 | Label: Penguin Audio

The title of Zadie Smith’s fourth novel refers to the neighborhood of North West London, where, for Smith’s characters, the main currency is voice. NW is structured around three voices in particular: Leah Hanwell, her best friend Natalie (née Keisha) Blake and Felix, a young man whose brief section forms the pivot point around which the two women’s stories circle and collide. The daughters of Irish and Jamaican immigrants, respectively, Leah and Natalie leave the neighborhood for college and brief plunges into the world beyond. Leah returns as a social worker and Natalie as an upwardly mobile lawyer, allowing Smith to chronicle a brilliant and nuanced range of spoken language. This also makes listening to the audiobook a particular pleasure, as the readers skillfully voice the dialogue-driven text. As Natalie reflects, listening to her mother gossip ruthlessly, “People were not people, but merely the effect of language. You could conjure them and kill them in a sentence.”

NW‘s central contradictions rest in this succinct proposal, referring not only to the novelists task but to Leah and Natalie themselves, who face their own conjuring acts of self-reinvention and parenthood. Using fragmented chapters and a looping chronology to dilate what might have been a fleeting, faceless headline of neighborhood violence, Smith makes it clear that what’s at stake is the capacity for empathy – her characters’ and our own.

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