"fluctuates smoothly at all points between rustic 60s rock with organic folk touches and paisley pop psych with flute and various other instruments adding jazzy touches" less
"Shelve the lofty “super group” expectations and the surgical comparisons to past accomplishments and look at this as it was intended: a damn good blues based heavy rock good time being had by all." less
"Songs that hint and suggest the fresh electric folk of Marc Bolan bouncing down the west coast of Jim Morrison’s lizard crawl garage as Ray Davies shares raw reflections of a late 60s-California afternoon." less
"has a west coast rural feel with some sufficiently fuzzy moments mixed with generous helpings of nimble jazz guitar flourishes that serve to give it a slight “progressive” lean." less
"This has many moments where it sounds like what the follow up to “This Was” by Jethro Tull could have been had Mick Abrahams stayed at the helm." less
"This harnesses the hair on end electric energy of “Funhouse” within the minimum security walls of some sympathetic songwriting; the results kicked the music scene directly in the bloated fatuity of its softening mainstream ass." less
"Sounds like Tom Waits with his hair combed, cruising with Morphine in second gear with Bonnie Raitt in the backseat making angel sounds while George Clinton paints funky pictures on her hindquarters. " less
"This rolls and lolls like a long, lazy but interesting afternoon in a scarcely inhabited prairie saloon where Johnny Cash, Hank Williams, Bob Dylan, T-Bone Burnette and Doug Sahm are bellied up to the bar swapping truths and lies while the female barkeep and a few background stragglers provide beat and choir." less
"Fans of Frank Black’s “Honeycomb” and “Fast Man…” will go for this mostly acoustic offering of stringed things that walk and slide over the easy but buoyant tempo of the rhythm section" less
"The vocals crackle like Bobby Bare Jr. and the rap influence is merely ornamental, helping the music to offer an upbeat option in the long list of ways to get yourself folked" less
"Acid cowboy songs and fringe folk desert ballads float on the unstable mixture of guitar and piano plucking and plunking notes that only get together in Howe Gelb tunes." less
"Electric, acoustic, heavy and light merge and flow effortlessly while being driven by the excellent guitar work of Charlie Whitney and the roar and purr of the jungle cat in the various stages of coital glee vocals of Roger Chapman" less
"fine early example of the successful fusion of jazz and rock that is willing to play it heavy in either direction with the occasional stop along the way to feed on your brain" less
"Over the top mind numbing heavy rock with greasy lightning leads and high wailing vocals, the kind of stuff that sends critics running but leaves fans covered in their own spit" less
"pleasing mixture of acid folk/garage psych that brings to mind The 13th Floor Elevators with their edge smoothed a bit by the LA psych pop of Love" less
"riffs that coil around you and shake whatever you don't have tied down and chord progressions that change how they please and please how they change" less
"the music steers towards a Doug Sahm like country with rock sensibilities; the lyrics and Bare's voice,which swerves dangerously in and out of key,are pure rock and roll." less
"Wynn continues to meld and weld Lou Reed and Neil Young with his own well earned style and marches into the 21st century as one of the torchbearers of rock music's salvation." less
"Imagine "New York" by Lou Reed and "Ragged Glory" by Neil Young dipped in some hallucenogenic, desert comestible concocted by Howe Gelb, throw in equal parts of Wynn's own canon, then drive it through Arizona's open highway in a convertable with the top down" less
"Kick Out The Jams, Funhouse and Survival Of The Fittest running balls to the wall while the singer runs balls in a blender to hit peak shriek as someone tries to pry the White Album from his white knuckled grasp." less
"These are the kind of tightly executed, small town anthems that Springsteen tried to pull off but failed because he just didn't understand the importance of rocking like hell; these boys most assuredly do." less
"Nick Saloman continues to champion the classic years with hooking poppers and rousing rockers spiced with taste filled guitar and clever bends and twists." less
"while elements of Van Morrison and Mark Knopfler still drive the laid back atmosphere, you can detect a decidedly Frank Black influence re-emerging" less
"deep south Jagger vocals deliver swaggering odes about the good, bad and ugly of everyday life while the marriage of rock and country is consummated with the natural abandon of two untamed beasts." less
"This is a much looser Frank Black with most of the layers of punk peeled back to expose a burgeoning inner Van Morrison...albeit a Van Morrison fronting an Exile era Stones" less
"This music rocks in strange and unnatural ways and is certainly not for everyone, but those who like to boogie on the outer edge will find plenty of reasons to shake and holler." less
"No extended guitar workouts or acid freakouts just solid underground pop with more hooks and everyman appeal than an English underground Tom Petty" less
"Americana images that could only be found after wandering the desert for 3 days without food and water and will have you snapping your fingers as they finger your synapse" less
"secret agent man rockabillies to bluesy Stones like rockers, this falls somewhere in between a Robert Gordon and Ian Hunter steady rocking groove" less