Coliseum, Sister Faith
Direct and tuneful, replacing raw, loose rhythms with more economical song structures
Over the past two years, Louisville, Kentucky’s Coliseum have completed their evolution from a storming, metallic hardcore powerhouse to a more musically refined post-punk band. The group’s fourth full-length, Sister Faith is direct and tuneful, replacing raw, loose rhythms with more economical song structures. The album was produced by J Robbins, which explains the Jawbox influence, but there are also strains of Fugazi and Quicksand present in the barbed hooks.
As much as the music seems driven by the members’ collective record collections, Ryan Patterson’s lyrics seem to stem from an inability and unwillingness to fit into the mainstream and the toll it has taken. “All my life, failure, All I see, failure/ All my dreams, failure,” he barks in “Last/Lost” before concluding, “See clearly from failure, live freely from failure.” And on “Fuzzbang,” he rails, “Gotta get away, wish we could close our eyes and dream it all away.” Patterson’s resigned discontent shines through Coliseum’s tunes, which steamroll without obliterating and cut without leaving scars regardless of tempo or intensity.