Review

Echo and the Bunnymen, The Fountain

Ian McCulloch thinks this is his best album since Ocean Rain — he might be right!

Ian McCulloch thinks this is the best thing Echo & the Bunnymen have done since 1984's acclaimed and glorious Ocean Rain. He's overlooking at least a couple of subsequent singles, but the famously self-celebrating frontman for Liverpool's pioneering alt-rock band may otherwise be right: If it isn't these famously moody musicians' most lyrically upbeat album, it's certainly their poppiest, and maybe their most consistently catchy. It's co-produced and half co-written by John McLaughlin, a Scottish song doctor whose résumé includes UK pop acts as shameless as Busted and Five, and its sheen is undoubtedly designed to get these big-haired vets back on European radio next to their countless stylistic offspring.

Opening track "Think I Need It Too” rings with a contemporary clarity reminiscent of one such group, the Killers. It's huge but not bulky; it glides rather than lumbers thanks to this Merseyside ensemble's widely imitated other original member, guitarist Will Sergeant. "Do You Know Who I Am?” presents McCulloch at his most straightforward and swaggering, while "Shroud of Turin” — based on the singer's experience of seeing the face of Jesus during one of the band's own shows, quite naturally — shows off his alliterative if nearly nonsensical side: "I love that sweet sack that you're in/I love your saccharine,” he snarks. "Proxy” is even more playful; its pounding piano intro combines the keyboard riffs of two glam anthems — Mott the Hoople's "All the Way From Memphis” and Roxy Music's "Virginia Plain.” The album's sole slow track, "The Idolness of Gods,” is contemplative and cautionary where previous ballads were somber and foreboding. McCulloch warns against stagnation with a gentle tone that some will begrudge: This isn't the same anguished band behind Crocodiles nearly 30 years ago. But the sense of forward movement here and throughout the disc flatters McCulloch and Sergeant. While today's post-punks glance raid their history for inspiration, these Bunnies mostly look ahead.

Genres: Alternative, Rock

Comments 0 Comments

eMusic Radio

0

eMerging Artists

By J. Edward Keyes, Editor-in-Chief

At eMusic, we take pride in being the place you hear about artists first. Whether it's through our eMusic Selects program - which brought you the first releases by Best Coast, Crystal Stilts, Strand of… more »

Recommended

View All

eMusic Activity

  • 05.27.12 Get your free #DailyDownload "Centreville" a rock track by Birmingham, AL–based band Lee Baines III & The Glory Fires http://t.co/DaCjoOGx
  • 05.27.12 UK: To celebrate the release of This is PiL from @pilofficial, John Lydon will be taking over @eMusic this week! #LydonTakeover
  • 05.26.12 Apache Dropout uses infectious hooks on the deluxe version of their debut. We review:#eMusicExclusive @familyvineyard http://t.co/HfuXRuMb
  • 05.26.12 Get today's free #DailyDownload the funky, guitar heavy track "In the Middle of the Night" by Tom Principato http://t.co/hKkE235C
  • 05.25.12 eMusic interviewed @officialcult's Ian Astbury about his abusive childhood, the ethics of punk and more in this Q&A http://t.co/YoqIAWXr
  • 05.25.12 US: We review London-based songstress @coldspecks' I Predict A Graceful Expulsion here: @muteusa http://t.co/cGkoZFXA
  • 05.25.12 US: We caught up with @Garbage's iconic drummer Butch Vig, and talked Garbage's unique sound, going indie & more: http://t.co/JqMk6FYS
  • 05.25.12 Enjoy the howling vocals in today's free #DailyDownload "Dry Basement" by Bloomington, IN trio Apache Dropout http://t.co/2F4SFuYv
  • 05.25.12 EU: We caught up w/ @Garbage's iconic drummer #ButchVig, to talked about Garbage's unique sound, going indie & more: http://t.co/Br8xlO0j
  • 05.24.12 US: eMusic’s editors created a thorough rundown of their favorite ’90s records: #throwbackthursday #sale http://t.co/ZZZuVczQ