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Review

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Metric, Synthetica

  • 2012
  • Label: Mom & Pop Music / The Orchard

A sleek amalgam of electro, punk rock and pop

Electronic artists have been tackling a “ghost in the shell” theme — drawing human warmth out of synthesizers and sequencers — for decades now. But what happens when a live band sets out to rebuild the cybernetic shell around a ghost? On previous albums, the four members of Toronto’s Metric have only hinted at the full-bodied, buffed-chrome sound they achieve on Synthetica — a sleek amalgam of electro, punk rock and pop that orbits lead singer Emily Haines, who shimmers at its cool blue center like a diva hologram from the future. At first blush, her voice suggests a creepily programmed detachment, especially over the epic two-part opener “Artificial Nocturne” and the beat-less synth washes of “Dreams So Real.” Dig deeper though, and she reveals a daunting range of emotion, from menacing (“Youth Without Youth”) to playful (“Lost Kitten”) to heart-wrenching (“Clone”). As synthetic as she might sound, Haines can’t escape her warm-blooded humanity — and that’s the whole point.

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