Pistol Annies, Annie Up
Featured Album
The trio goes from side project to supergroup
In his 2012 memoir Waging Heavy Peace, Neil Young gave a rave review to the Pistol Annies, observing that the Nashville trio was “writing their asses off.” It was an unexpected shout-out, to which the women responded via tweet that they nearly peed their pants with excitement. Such praise was warranted. On their 2011 debut, the group — which consists of Miranda Lambert, Ashley Monroe and Angaleena Presley delivered a batch of sharply observed country tunes that ranged from hilarious to heartbreaking and that appealed even to listeners who profess to love everything but country.
Despite that success, it’s still a hard-knock life for these Annies, who smartly chronicle the joys and trials of being a woman in the 2010s. On “Being Pretty Ain’t Pretty,” they spend a lot of time and money applying make-up and even more time and money taking it off, but they never play it off as a joke. Instead, they sympathize with the woman in the mirror and their close harmonies invest the song with a deep melancholy. Songs like “Trading One Heartbreak for Another” and “Dear Sobriety” are quietly devastating, but the Annies’ sass and smarts remain. First single “Hush Hush,” a kissin’ cousin to Robert Earl Keen’s “Merry Christmas from the Family,” is a devious ode to the open secrets and hidden conflicts that bind a family, even if it sends Monroe out behind the barn to spark one up. The Pistol Annies may have started as a side project for these solo artists, but on Annie Up, they prove themselves as a supergroup.
