Coleman Hawkins, Soul
Great late work from the saxophone giant.
During the '20s Coleman Hawkins became the first great jazz tenor saxophonist, and remained one of the best until he died in the late '60s. Throughout that time Hawkins kept abreast of developments in jazz, constantly updating his style — soon, the members of his groups were often decidedly younger than he was. That's the case on Soul, a 1958 recording featuring post-boppers pianist Ray Bryant and guitarist Kenny Burrell.
During the '50s, Hawkins emphasized bluesy and gospel-ish tunes more, and his playing became funkier. There are two blues and a gospel number on this CD. He still displays his old virtues, however: a big, rich tone and a great knowledge of harmony, which can be heard on his fine ballad work during "Until the Real Thing Comes Along." Hawkins was always a passionate player, as his fiery improvising on "Sweetnin'" illustrates. A curiosity here is the inclusion of the centuries-old song "Greensleeves" — Hawkins, after insisting that it appear on the date, does little more than state its theme. (Three years later, John Coltrane covered it wonderfully.)
Also impressive, Burrell displays excellent chops and considerable inventiveness. Burrell appeared on so many records that he's been taken for granted, but he's among the very best jazz guitarists.
All in all, this is one of Coleman Hawkins's most impressive later records.
